Another design I made for threadless! Waiting for it to be approved at the moment.
I love hedgehogs!
OMG I LOVE IT
That’s what I wanted to show you yesterday. If it gets approved ill let you know so you can vote on it 🙂
PS My tablet works so good!
Another design I made for threadless! Waiting for it to be approved at the moment.
I love hedgehogs!
Hey guys, I made this design for a threadless iPhone case. Any feedback before I submit it?
Hey guys! I made this valentine last year on valentines eve.
I got a lot of really nice comments from people who liked them so I’m putting them up here again.
If you’d like to get some, they’re now for sale in my etsy shop!
Here’s the original post, if you’re interested.
Happy early valentines day guys 🙂
Hey Nerdfighters!
A while ago I made some DFTBA and nerdfighter gang sign stamps stamps, and some people requested them (I am sorry I forget who you are).
They are now for sale in my new etsy shop, in the Stamps – Nerdfighteria section!
I am posting this again because I fixed the grey writing to be black.
It was previously posted here: http://perpetualthoughts.tumblr.com/post/27421555223
Photoshop doesn’t do well with light pressure recognition. Making thick-to-thin strokes requires a lot more fidelity than would even be necessary with a proper sable brush and ink in meatspace. It blows out pressure at the low end and makes soft lines blobby as hell.
You can combat this by turning off the lowest pressure settings of your tablet at the driver level, but you shouldn’t have to. I want a brush engine that senses those slight variances and accurately translates them.
It’s possible. Manga Studio, which I’ve used for inking since about 2006, does a stellar job at light pressure translation. Getting feathered strokes that look like they came from my Raphael 8404 #4 sable brush is no harder than inking in the real world. Painter does a pretty good job of this too. At the very least, both allow you to tweak how the brush engine interprets your strokes on a per-brush-setting basis instead of using a sledgehammer on a finishing nail by leaving you with an only recourse of neutering your full range of pressure sensitivity at the driver level.
Photoshop, Illustrator, and Flash all exhibit this problem. I don’t know if it’s an interpolation/smoothing issue or something larger, but I do know that the result is shitty lines.
Since around the time of the Photoshop CS6 Beta, I’ve been attempting to create a brush that combats these shortcomings by dropping out some of the lowest pressure mark-making with a combination of flow and texture settings. The result is a brush that, while not 100% opaque at the lightest marks, provides a hell of a lot more fidelity and control.
This is a quick video of the brush in action. Below is a download link for the latest test version of the brush’s Tool Preset.
Illustrator Ray Frenden just made your life a lot easier with his Photoshop brush tool presets. Say thank you.Â
There goes Drawn! my favourite blog before tumblr being awesome. Can’t wait to check this out.
The book detail from this project.
Glasses pop art. The glasses were made for this project.
John Green recently requested quote posters, and here’s my TFIOS themed addition to the bunch.
I designed the glasses and book myself and liked the glasses so much I made a pop art thing with them too.
As my boyfriend pointed out: There is a reader in the word “books” and a book in the word “readers” tee hee.
Anyways, I may be getting this printed for my own wall. We hear you John!